Italian made, 100% cotton 140lb (300gsm) watercolour paper.
Available in three textures; HP (Portofino), NOT (Italia) and Rough (Toscana)
Traditionally made on a cylinder mould machine of a design exclusive to Magnani.
Uses non-animal derived sizing to guarantee optimal colour performance.
Magnani 1404 Watercolour Paper is an Italian made, 100% Cotton watercolour painting surface available in three textures; Portofino (Hot Pressed), Italia (NOT) and Toscana (Rough). This paper is made on a traditional cylinder mould machine of an exclusive design, which gives the paper a unique finish that is distinct to Magnani alone.
Made without the use of acids or chlorine derivatives, this surface is certified with ISO 9706 ‘Long Life’ durability that ensures your work will remain stable over time. Each sheet is internally sized with vegan sizing to ensure maximum colour yield on its surface. This paper has a natural white colour.
Founded in Italy, Magnani 1404 is one of the country’s oldest paper mills and is deeply rooted in the papermaking tradition. Their rich legacy and dedication to quality has earned them a fantastic reputation worldwide and artists have trusted their reliable surfaces for centuries. Their fusion of historical expertise, an abundance of pure Tuscan water and the very best raw materials result in 100% cotton papers with the very best performance.
All parcels are sent on a trackable service. The information below is for UK deliveries. For international deliveries, please see our delivery information pages.
Standard shipping 1-3 working days | |
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Orders under £45 | £4.50 |
Orders over £45 | FREE |
Express Shipping Next Working Day | |
Orders under £45 | £7.00 |
Orders over £45 | £2.50 |
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Based on 5 reviews
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Write a reviewMagnani being my new favourite watercolour paper, I was pleased to find sheets for larger scale work.
I regularly use the pads in various shapes and sizes and have total confidence in the performance of the different surfaces.
Highly recommended for watercolour and gouache, as well as coloured pencils or mixed media.
Really pleased with the texture of the rough it lifts off well strays wet for longer that most.
The Not surface is subtle and with no obvious texture. Very nice acceptance of washes and wet in wet technique as well as details. I stretched the paper with no difficulty and look forward to using it again for another painting.